textiles

  • The Body as Memory: Curator's Note

    By Zan Zeller
    Gabriel García Román, Dorian, 2019
    Gabriel García Román, Dorian, 2019
    The Body as Memory investigates the ways in which the body interacts with the environment around it—the cultures it is born into, how it is viewed, how it views itself within that context, and how it imagines itself. It seeks to recognize the queer body as a historical site of injustice, yet, through acceptance, present the body as a site of exultation (and exaltation) instead. 
     
    Caleb Cole, Nick Simko, and Gabriel García Román each tackle concepts of identity and queerness through the lens of their own unique experiences. Having grown up with a passion for thrifting and second-hand objects, Cole’s work reflects a deep desire to connect with histories lost to time, stories that are just as personal as they are collective. Simko’s interest in intersections of technology and authenticity tie into this discussion of recorded histories, questioning what is missing from the narrative and how much of that which remains is artifice. Simko also seeks to test the limits of photography’s ability to express his own queerness in textural, spatial, and atmospheric ways. García Román’s background in the Roman Catholic church inspired him to co-opt the aesthetics of traditional religious iconography to elevate individuals who are underrepresented and often pushed to the margins of Western communities.
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  • Cartographies of Pattern: The Work of Alia Ali

    By Geoffrey C. Koslov
    ©Alia Ali, Odyssey, MIGRATION Series, 2021
    ©Alia Ali, Odyssey, MIGRATION Series, 2021

    Alia Ali uses a global palette of fabrics and photography to map culture and history. She is a US multimedia artist, photographer, and a global traveler with a Yemeni-Bosnian heritage, who is fascinated by the use and meaning of language and the patterns of hand woven indigenous fabric  As Ali expresses it: “Textile unites and divides us, both physically and symbolically.”  Her art reflects on the politics of borders, colonization, language and the non-verbal passage of traditions and cultural stories through fabrics created by master artisans from around the world.  As a purposeful artist on a mission, Ali has made a concerted effort to meet the craftspeople who create these fabrics.  She has traveled extensively to learn about meaning and processes associated with the fabric, patterns and pigments.  While the fabrics are regional, the appreciation and production has become global.  On the surface, these may plainly look like an exciting colorful presentation, but what is covered and explored in the exhibition “Cartographies of Pattern” is a deeper journey, guided by Alia Ali’s imagery, into the story behind each threaded weave of her BORDERLAND, FLUX, MIGRATION, FLOW, INDIGO and حب (ḥub) // LOVE series.

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