-
JP Terlizzi's Creatures of Curiosity
By Geoffrey C. KoslovThe production of artwork flows from the release of something inside an artist that drives their creative expression. JP Terlizzi is an artist that uses his abilities to envision and build ephemeral works of art that are memorialized as photographs. In Creatures of Curiosity and Garden Symphonies, Terlizzi revisits his earlier works in The Good Dishes and Holding Arabesque, with several new twists. Terlizzi comments that, for him, “The Good Dishes integrates memory, legacy, and metaphor with my response to loss. Without fail, when it came to the family’s fine china, that item was always given to the person that most cherished its memory and sentimental value.” Following that series, the Covid crisis opened a door to additional creative expression: “Holding Arabesque was inspired by the shifts in my life brought on by a result of the pandemic. It was about craving stability in a time of instability. I built these food totems to push their stability as my response. Humor and Nostalgia are known coping mechanisms we resort to when we experience high stress or trauma… I was craving happier times.” As our culture began moving past social isolation, his visual engagement became bolder, first evolving into Garden Symphonies, and then Creatures of Curiosity.
-
Still Life Stories: Fabled Flora
By Geoffrey C. KoslovA “still life,” whether a painting, photograph or a multimedia creation, brings to mind an assembly of flowers, bowls, bottles, and other objects, natural or man-made, arranged on some type of table surface. What constitutes a “still life” is broad and flexible with no defined rules. We think we will know it when we see it, to paraphrase an expression. With that in mind, a more serious still life work goes beyond a random assemblage of objects. It is a directed purposeful creation that conveys messages through a selection of objects imbued with symbolism from custom or religious association. Looking at the still life photography of Claire Rosen, Yelena Strokin, Robert Langham III, and Julia McLaurin in the exhibition “Fabled Flora,” we examine four different approaches to this art genre that literally span centuries of creative effort.