Koslov Larsen is thrilled to highlight Daisy Patton's two-person show with painter Alicia Brown at UMass Amherst: Imaginary Homelands, on view September 13 – December 9, 2024.
In Imaginary Homelands, the body becomes a vessel for storytelling, exploring identity, diaspora, place, and time. Inspired by Dutch master portraiture, Alicia Brown’s gorgeously decorated figures pose as a pointed connection to the history of the Caribbean and colonialism. Patton’s focus on women from the Southwest Asia and Northern Africa region speaks to her efforts to (re)connect with Iranian culture and the interiority of women’s lives which often go unrecognized despite how they carry forward family histories.
Patton’s paintings echo the ornateness found in Iranian art and architecture to attempt to slowly dissolve the imposter syndrome she felt by not growing up with her Iranian family, with the hopes of restoring and building something that can never truly be complete, never what could have been. In Brown’s work, her paintings of her family members demonstrate familial bonds and histories over time that have been preserved despite immigration and adaptation. The poignant narratives within her work takes the viewer on a journey that delves into the intersection of identity, memory, and belonging, shedding light on the intricate tapestry of a diasporic experience shaped by both nostalgia and forging of new, imaginative homelands. For both artists, belonging wholly encompasses the physical and intangible, of time, place, family, and culture.
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Influenced by the ornate intricacies of Persian miniature paintings, Patton uses bright colors and altar-like frames to honor the formerly living subjects adorned within each painting, signifying a vibrant kind of after-life. Each painted photograph is a demonstration of the fracture of time—visitations of people neither fully living nor fully gone and forgotten. These slippages of time mimic how diaspora relive and revisit their former lives in their minds, where the present is a complex array of being. Patton’s focus on women from the Southwest Asia and Northern Africa (SWANA) region speaks to her efforts to (re)connect with Iranian culture, as well as to the interiority of women’s lives that are often unrecognized and erased, despite how they carry forward family histories.
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Daisy Patton, Untitled (Woman with Lavender Hand and Orange Vine), 2023
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Daisy Patton, Untitled (For remembrance A picture of Miss Zainab Ibrahim Anas The sweet bride I wish you success Happy Eid and best wishes for you every year 1973 Studio Jack Kuwait - Tel. 354522, 2024
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Daisy Patton, Untitled (Bright Orange Girl with Folded Arms and Green Vines), 2022
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Excerpts above are from statement for Imaginary Homelands.
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